The Curious Case of Benjamin Button (Single-Disc Edition) (2008)
The technical dazzle of The Curious Case of Benjamin Button is a truly astonishing thing to behold: this story of a man who ages backwards requires Brad Pitt to begin life as a tiny elderly man, then blossom into middle age, and finally, wisely, become young. How director David Fincher--with makeup artists, special-effects wizards, and body doubles--achieves this is one of the main sources of fascination in the early reels of the movie. The premise is loosely borrowed from an F. Scott Fitzgerald story (and bears an even stronger resemblance to Andrew Sean Greer's novel The Confessions of Max Tivoli), with young/old Benjamin growing up in New Orleans, meeting the girl of his dreams (Cate Blanchett), and sharing a few blissful years with her until their different aging agendas send them in opposite directions. The love story takes over the second half of the picture, as Eric Roth's script begins to resemble his work on Forrest Gump. This is too bad, because Benjamin's early life is a wonderfully picaresque journey, especially a set of midnight liaisons with a Russian lady (Tilda Swinton) in an atmospheric hotel. Fincher observes all this with an entomologist's eye, cool and exacting, which keeps the material from getting all gooey. Still, the Hurricane Katrina framing story feels put-on, and the movie lets Benjamin slide offscreen during its later stages--curious indeed.--Robert Horton

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Final Fantasy VII: Advent Children Complete [Blu-ray] (2005)
Continuing the storyline based on the hit Playstation® game Final Fantasy VII, two years have passed since the ruins of Midgar stand as a testament to the sacrifices made in order to bring peace. However, the world will soon face a new menace. A mysterious illness is spreading fast. Old enemies are astir. And Cloud, who walked away from the life of a hero to live in solitude, must step forward yet again . . .

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Taking Chance (2008)
Based on the true experiences of Lt. Colonel Michael Strobl, who wrote eloquently of them in a widely circulated 2004 article, Taking Chance is a profoundly emotional look at the military rituals taken to honor its war dead, as represented by a fallen Marine killed in Iraq, Lance Corporal Chance Phelps. Working as a strategic analyst at Marine Corps Base Quantico in VA, Lt. Col. Strobl (Kevin Bacon) learns that Phelps had once lived in his hometown, and volunteers to escort the body to its final resting place in Wyoming. As Strobl journeys across America, he discovers the great diligence and dignity in how the military, and all those involved with preparing and transporting the body, handle their duties. Equally important, he encounters hundreds of people affected by Chances death, a vast majority of whom never knew him. This collective grieving eventually causes Lt. Col. Strobl, a veteran of Desert Storm now assigned to office duty, to probe his own guilt about not re-deploying to Iraq for the current conflict. Arriving in Wyoming, Lt. Col. Strobl completes his catharsis when he encounters Chances gracious family and friends, and discovers an extraordinary outpouring of community support.

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Weeds - Season 4
Everyone’s favorite pot-selling soccer mom, Nancy Botwin, is back in the complete fourth season of the hit series WEEDS. Last time we saw her, Nancy’s business (and house) was going up in smoke. So the Botwin bunch has relocated near the border for a fresh start with some new buds. Life’s looking green again in this subversive and buzz-worthy comedy.

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Valkyrie (Single-Disc Edition) (2008)
Unpretentious and dramatically straightforward, Valkyrie is a suspenseful yet ennobling story about the last attempt to assassinate Adolf Hitler prior to the end of World War II. Tom Cruise is effective if a little opaque as hero Colonel Claus von Stauffenberg, who channels his anger at Hitler's atrocities and mismanagement of the war by joining a secret organization bent on killing the Führer. When the outspoken Stauffenberg hits on the idea of linking Hitler's death with an official policy to safeguard Berlin during a government crisis--a contingency plan called "Valkyrie"--the group realizes a post-assassination coup could be covered by rapidly implementing the plan. History tells us the plot failed, of course, and Hitler killed himself months later. But that doesn't stop Cruise or director Bryan Singer from approaching the film as a thinking person's thriller, told from inside the conspirators' camp, where the outcome of their deeds were uncertain for several tense hours.

In the tradition of The Great Escape, Valkyrie is a war movie full of famous faces, including Kenneth Branagh, Terence Stamp, Tom Wilkinson, Bill Nighy and Eddie Izzard. (The lesser-known David Bamber is very good as Hitler, hunched and cracking under pressure.) The film's gravity is offset a bit by the fun of seeing all these actors in a factually-based slice of history, and by a few, interesting stylistic flourishes on Singer's part, including the peculiarly unsettling image of a mosquito sizzled to death in close-up. --Tom Keogh

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Taken (Single-Disc Extended Edition) (2008)
What could be a skillful but ordinary action flick gets a surprising emotional heft from the presence of Liam Neeson as the hero. Bryan Mills (Neeson) has given up his career as a spy to form a relationship with his estranged teenage daughter--but when, on a trip to Paris, she's kidnapped by slavers, Mills uses all his connections and skills to turn the city of lights upside down and rescue her. Like most of the movies that writer/producer Luc Besson has a hand in (such as La Femme Nikita, The Transporter, Unleashed, and many other French action movies), Taken drips with lurid violence (a bit toned-down to get a PG-13 rating, but there's still plenty of it), deranged sentimentality, and stereotypes of all kinds. But this doesn't stop his movies from being effective thrill-rides, and Taken is no exception. Taken pays just enough attention to the illusion of procedure--making it seem like Mills knows all the right steps to track down his daughter--that the movie cheerfully seduces your suspension of disbelief, despite many plot holes and scenes where Mills doesn't get scratched despite bullets flying in all directions or pretends to be a French policeman despite not speaking French or even adopting a French accent. What holds it all together is Neeson; his gravitas and emotional availability make his character--the usual action fantasy of impossible competence and righteous fury--somehow seem real and relatable. --Bret Fetzer

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X-Men Origins: Wolverine [Theatrical Release]
Wolverine, fan favorite of the X-Men universe in both comic books and film, gets his own movie vehicle with X-Men Origins: Wolverine, a tale that reaches way, way back into the hairy mutant's story. Somewhere in the wilds of northwest Canada in the early 1800s, two boys grow up amid violence: half-brothers with very special powers. Eventually they will become the near-indestructible warriors (and victims of a super-secret government program) known as Wolverine and Sabretooth, played respectively by Hugh Jackman (returning to his role) and Liev Schreiber (new to the scene). It helps enormously to have Schreiber, an actor of brawny skills, as the showiest villain; the guy can put genuine menace into a vocal inflection or a shift of the eyes. Danny Huston is the sinister government operative whose experiments keep pullin' Wolverine back in, Lynn Collins is the woman who shares a peaceful Canadian co-existence with our hero when he tries to drop out of the program, and Ryan Reynolds adds needed humor, at least for a while. The fast-paced early reels give an entertaining kick-off to the Wolverine saga, only to slow down when a proper plot must be put together--but isn't that perpetually the problem with origin stories? And despite a cool setting, the grand finale is a little hemmed in by certain plot essentials that must be in place for the sequels, which may be why characters do nonsensical things. So, this one is fun while it lasts, if you're not looking for a masterpiece, or an explanation for Wolverine's facial grooming. --Robert Horton

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Star Trek [Theatrical Release] (2009)
J.J. Abrams' 2009 feature film was billed as "not your father's Star Trek," but your father will probably love it anyway. And what's not to love? It has enough action, emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they'll become later. Both a prequel and a reboot, Star Trek introduces us to James T. Kirk (Chris Pine of The Princess Diaries 2), a sharp but aimless young man who's prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg).

The action and visuals make for a spectacular Big-Screen Movie, though the plot by Abrams and his writers, Roberto Orci and Alex Kurtzman (who worked together on Transformers and with Abrams on Alias and Mission Impossible III), and his producers (fellow Losties Damon Lindeloff and Bryan Burk) can be a bit of a mind-bender (no surprise there for Lost fans). Hardcore fans with a bone to pick may find faults, but resistance is futile when you can watch Kirk take on the Kobayashi Maru scenario or hear McCoy bark, "Damnit, man, I'm a doctor, not a physicist!" An appearance by Leonard Nimoy and hearing the late Majel Barrett Roddenberry as the voice of the computer simply sweeten the pot. Now comes the hard part: waiting for some sequels to this terrific prequel. --David Horiuchi

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